Vincent, 1892-1950 See: Guiccioli, Teresa, contessa di, 1800-1873 See: Du Bois, W.



Jake Gyllenhaal's character and his alleged "funny" fat side kick are established almost purposefully as illustrations of what's wrong with most romantic comedies.
It's Anne Hathaway's character that is the catalyst for the transformation from two dimensional rom-com to something deeper and more enjoyable.
Urge and urge and urge, Always the procreant urge of the world.
Out of the dimness opposite equals advance, always substance and increase, always sex, Always a knit of identity, always distinction, always a breed of life.
Later when we actually see the picture, the picture has him with his hands raised.